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we're going to continue exploring the new functions available within EDIUS X concerning motion tracking.But first I'd like to advise you to make sure, that you have the latest version of EDIUS X installed.

At the time of recording of this video, the latest version is EDIUS X 10.10 - so I'll be using this version in our examples.
Version EDIUS X 10.10 has the following functions included: the option "Render and Add to Timeline" is back,
you can add thumbnails to sequence markers - which speeds up the work and makes
you find things much more easily on the timeline and there are new options for Motion Tracking.
So ready for tracking? Let's go!
So welcome back to the studio.
This time we will see a little bit of motion tracking.
I have prepared some examples for you and with them we will see in detail how to achieve
some of these results. And I would also like to mention that the sources I'll be using in this example are partly ProRes LT 4K 50p files.
So, they are quite large files and a lot to handle which is why from time to time I switch to proxy files
to have more flexibility in the editing process. So, let's go.
So first of all, I am going to disable the “On Screen Display” Status for more visibility.
I click Control + G on the keyboard or I can simply deactivate the option “Status” on the On Screen Display.
Now it is deactivated. I am going to work with proxy files because the original files are large.
So, these are the clips made with the indoor drone - with a mini drone.
The source is 1080 50p.
So these are the examples that I have put together for you. Now we will see some of them in detail to see how it goes with the tracking.
We are going to start with a very simple tracking. So, we are going to leave this one aside because the technique is the same on these clips.
We are going to take this clip and you will see how I created the motion tracking with it.
The previous examples are made the same way so we will simply copy the clip.
So, I click on the clip and move it and just before releasing it I press the control key.
That way the clip is duplicated. And so I'll do the same thing here, so that's done. And then I'll open the layouter.
So, this is what we need to know about tracking. Here we are going to track specifically an object, but in previous versions of
EDIUS the tracking was done via the mask filter. There is already a podcast on this topic, and it is subject to EDIUS tutorials.
So, I won't cover this again right now, but we will have a look at the tracking of objects.
You will see how to attach something to a tracked object and have it follow the movement within the image.
So we won't select the source image, we simply do it on the object.
Okay so now we will reinitialize everything. Here we are.
So the important thing when starting to do a tracking is on the one hand to choose what we are going to follow and to choose the right moment to organize our tracking.
So the example here is somewhat typical.
Here at the beginning, we have a slightly blurry image, so I am not sure how I can use this or how EDIUS will handle it.
The idea is that the title should follow the movement of the saw. So if I choose a frame like this, I can use it because the image is sharp.
Now I'll go to the “Tracking” tab and choose “Chase mode”.
The image to track appears in the window and I will simply go and place the small square
on the area I want to follow and adjust its size.
For the moment we will keep it very simple. So, this is done.
Now here you see that the cursor is not at the start of the timeline nor at the end.
It's practically in the middle of the layouter's timeline.

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So at this point, I'd like to take the opportunity to tell you that the motion tracking can be applied in
the Layouter or via a filter found in the effects list.
It's in the transform filter - but we will cover this later.
So here I can tell EDIUS to track either forwards or backwards.
So here I have track forwards or backwards. But since the cursor is in the middle of the timeline, I will track forwards first.
So here, EDIUS will detect the movement of the object in the section that I have asked it to follow.
You see sometimes there is a small gap, but the tracking is performed extremely well.
So, this is done.
So now I'll go back to our starting point and I'll also track backwawrds from there.
The reason I do this is because sometimes the first image is not ideal for tracking.
Sometimes for example the object is outside the frame at the start of the clip.
Therefore, we can go anywhere on the Layouter timeline and start tracking forwards
and then backwards - of course going back to the starting point in between these processes.
So here we can see that the square is indeed at the centre of the saw and that the title has also
been positioned right on the centre of the saw. It follows the movement perfectly.
So excellent, we're very happy with this.
It works extremely well. But now we don't necessarily want the title to be placed right in the centre.
So, I'm simply going to modify the position of the anchor of my title.
I do this by repositioning the anchor on the X and Y scale.
So, I adjust its position.
So for this example we're done.
And now another example. But for this example we're going to use it for rotation. So, we're going to duplicate it right away.
Then I reset everything. So what's interesting in this example is that we can also rotate the object.
The Motion Tracker in the Layouter allows the rotation of an object and the variation
in its scale to be tracked as well.
So, I go back to “Tracking” and chase mode. This time I'm going to focus on the central bar.
So, here you can see, that I start the tracking at the beginning of the timeline because it
matches exactly with what I want to do. So now I'll do some forwards tracking but for the minute nothing changes.
So whilst tracking forwards EDIUS claims that it can no longer detect the object.
And that's true, because the object is no longer visible in the image. So of course it cannot
be tracked anymore. But no problem, we don't need to track the object that far anyway.
Instead, I'd like to add sone rotation. So, I am going to right click on the tracking square and choose "apply tracking" and then "rotation".
So, apply tracking, rotation.
And so there we have a rotation that takes place. But that's not what I have in mind at all.
In fact, what I would like is for my title to be horizontal and readable.
But that's easy to do. So, I'm going to change the rotation. So this is the z rotation.
So here I'll change the anchor. I'm used to working in motion tracking, so I have the habit of repositioning the anchor from here.
I hope this is not a bad habit.
But later we can also use keyframes to change the anchor over time - because sometimes you
just want to make micro adjustments. In fact this is what we'll have to do here.
I add some keyframes. And then we can see what we have.
So we have some small adjustments we need to do. The start isn't particulary good.
It's not the tracking, which isn't good, it's simply that the the starting position of the title
is not in the right place. So, we're going to fix this right away.
We come back to the Layouter. Here I can see my keyframes and I can make small corrections and refine the tracking,
because this is somewhat complicated footage. So it's good to see when things aren't necessarily going perfectly well.
It's important to see how we can refine the tracking when it's not perfect.
What I also wanted to show you now was how to change the proportion.
So, we are able to change the scale of the tracked object.
So, as we can see it's very small at the end, but I'd like it to be the opposite - it should
be big enough here.
So, I have to stretch it. I activate the keyframe for stretching.
And here it is. We see that the proportion is well applied to the object.
This is how motion tracking works in chase mode. Now we will have a look into the other tracking mode: It's the anchor mode.
So how does this work? So here I have a scene we've created specifically for this, where I move from left to right.
Which is perfect to show you how Anchor mode can be best used.
So as you see I move from left to right. The only problem is that in fact I need to embed and position this person properly in the screen.
We saw the example at the very beginning of the video. This is quite simple.
I go back to a point in the video where the object was not yet visible.
There you are, and now I am going to follow. But this time I will not take chase mode, I will use anchor mode.
So, I'm going to use my face as a point of reference.
There you can see the time in the middle of the timeline. So, I'm going to do some forward tracking,
and then I return to the centre of the timeline my starting point and I'll do some backward tracking.
You may also have seen in the options that we have the possiblity to perform tracking image by image.
It let's us make small corrections on complicated movements. So now I suggest we look at the initial results.
And we can see that I am anchored in the centre of the image. So, you see I've managed to keep myself in the centre and there is no movement anymore.
This is very practical if we have to broadcast or if we have to edit content for social media
in a square format or for other purposes.
The only problem is that due to the tracking I was automatically shifted down in the picture.
But with the Layouter I can just readjust my position upwards.
So, there we are. That seems fine to me.
So there indeed it's perfect.
So obviously the movements look a little bit weird.
So, the task with the anchor mode was successful.
But now you might ask yourself ok, he anchored the object but how can we combine both
anchor and chase mode? Well, it's quite simple.
We will use a specific effect; it's a filter that allows you to track.
It's the Transform filter. So, I go to effects - video filters and I'm going to drag the Transform filter onto
the clip that I want to insert into the image.
Now I double click on the filter. And I click on Tracking.
And we see that the clip is not filling out the frame.
At first, I can crop my image a little bit to avoid having these borders.
I click on “Crop” and crop the video.
Then I click on “Chase mode” and search for a moment where the object can be seen
straight and very clear.
Here it is. And so again I'm going to track forwards and backwards.
I come back to my start point.
There once again, my object the small monitor, came out of the frame and cannot
be detected. But it's okay, our first stage is done.
Now I'll reduce the size of the clip and change the anchor a bit in its height
with Y and in its width with X.
And now if I play it, it doesn't seem too bad.
The only problem is that I need to fix the orientation. And so I have to apply the rotation. So right click and apply tracking, rotation and there you go. It's a bit like magic.
Of course, it's a bit more complicated if I flip the screen towards me.
There would be a way to take control of the orientation to make it run in 3D and make
it disappear when I turn the screen. We could optimize this without any problem, directly within EDIUS. But the goal isn't to show
you that, knowing that I still have a small bonus to show you.
I'll show you how to achieve this effect, made based on tracking and above all we will
see some software. Software that I don't mention too much but I use all the time.
And it's a paid plugin from EDIUS X which is called VisTitle.
It lets us make among other things this famous round title.
So, let's start. So, we start again from the beginning. So, that we can see a ittle bit of Vistitle.
We'll deactivate this one and we'll start from scratch. So, when I do a title, I right click on the track on which I want to see the title.
There are plenty of ways to create titles but that's how I do it. I always have my background when I need it so it's very handy.
And so here we are. We find ourselves in Vistitle.
So, we're going to organize a little bit.
To make sure it will be an accurate circle I will already start drawing a circle within the interface or even the software.
I select an ellipse
and here I'll start drawing my ellipse and to be sure that it is a perfect circle I press the control key.
So here I'm going to centre it by clicking on H. By pressing H on the keyboard.
And now I will use the text rounding function. So rounding the text in Vistitle already creates a path for the text.
In fact it will make a path on which the text will go. So, it can be a circle or it can in fact be any shape.
It's very interesting to place a title on a geometric shape when we have an image.
And there I make my first point and then of course I pull my vectors, which we can of course modify later.
Okay.
Okay. Okay.
So now it's okay. We'll redo the vector adjustments afterwards. And now I'll enter the text.
But I think I'll write it in capitals, it's somehow prettier. Parade de bateaux.
Binic table sur mer.
For the minute, not everything appears correctly. But it's not so important right now.
So now I'll click on my the points to adjust my text rounding - to optimize my rounding.
So there we have my circle and everything appears fine. On the other hand, well the text isn't all visible.
So, I double click to modify. I do control + A and I'll simply reduce the size of my characters.
And so the circle is finished. We have our rounded title.
Now I just have to delete the white circle. So, I select it on the screen and I have the impression it's selected.
But if I delete, I delete the title.
Why? Because in fact Vistitle will select what's in the foreground. So I have a little manipulation to do.
And so, by right clicking I can choose to move it to the back or behind.
Or to the front or top. And this time, seeing that it's my white circle that is in the foreground
I was able to select and delete.
And so the next step is to save automatically or save as in EDIUS - as I choose
and so, I have my title. Everything is fine. So now I simply adjust the length to the lenght I wish it to be.
And now I'll just finish off using the normal methods.
I think that we can start at the beginning and so I'll select my boat.
So, it's a very nice tool to work with. We already knew that the motion tracking tool was
was extremely well implemented in EDIUS - thanks to the masking tool. Which has been available in EDIUS since version 8.
We saw that the arrival of movement tracking in the mask already made it possible to achieve many things.
And here they have managed to implement it extremely well.
So here we have the tracking being carried out. I mean the movement tracking.
So as we can see we have a result which is not bad at all.
So the only thing is that I would like it to give us the impression that it is positioned flat on the sea.
And to achieve this I'm going to adjust my X position. We must have the impression, using value X, that it is positioned correctly.
And we can see if it's necessary to make it evolve over time to help achieve this.
So here I will already make a keyframe on the X value.
And now I think I can reduce the stretch a little bit besides. So that we have the impression that it is actually circling the boat.
And now I'd like to rotate the title around the boat. So here I'm not going to use the orientation or the motion tracking model.
but I will do the rotation myself so that we have the readability of the entire title.
So, this is the Z axis, and we will go to the end.
And then, we'll, perhaps not make it perform a complete circle. Otherwise it will move a little bit too fast.
I think this will leave enough time to read it properly. So, let's see what happens.
Not bad. So it's nice to have this kind of tool in your editing software.
Well, I've been using EDIUS for some time and I admit that I've already known about it for quite a while.
when you know the filters well you do not need any additional software.
And it is true that in addition to this, the updates make the software more powerful anyway.
So a lot of effects can be done internally within the software itself.
So, I'm not saying everything can be done, but there are certainly a lot of options.
This second episode of discovering EDIUS X is over, and I hope it was able to answer
some of your questions. If you want to install EDIUS X, you should know that you must have a machine with a fourth
generation Intel CPU or a recent AMD processor.
Now if you want to acquire EDIUS, it's certainly not free software, but it is software that
brings many interesting things in terms of speed, ease and flexibility of work.
It's an investment which is very interesting. There is an educational license, and a Pro license along with a Workgroup license.
To find all the information concerning these licenses, contact your reseller or go to the
edius.net website. And so, this episode ends here. But I hope to meet you for the next episode.
In that video we will cover background rendering and exporting in the background.
Until then, I wish you good editing, excellent films and see you soon!

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